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Berlin Alexanderplatz

adaptation of Alfred Döblin's novel

dir. Natalia Korczakowska

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Berlin Alexanderplatz

Adaptation of one of the most important German novels of the 20th century, often put alongside with James Joyce’s Ulysses. Alfred Döblin created a multidimensional portrayal of the pre-war Berlin depicted from different perspectives, including press extracts, judicial reports, Greek mythology, popular songs, city posters, sound effects and quotes from different works. This is the chaos of a big city of the 20th century where the contemporary nationalism and fascism evolved. This image alarmingly resembles today’s world which rationalizes the extreme right-wing thinking. For us, Berlin is, above all, the state of mind, the space of freedom and avant-garde, endangered by the moralists (those so-called ‘decent’ people) and the fanatics of power. In such Berlin the story of Franz Biberkopf takes place. Biberkopf is a workman, a pimp, a murderer who undergoes an inner transformation through rejection and afterwards integration of the evil found in himself. Reinhold, Biberkopf’s object of fascination, his Shadow, becomes the incarnation of that evil.

Creatives

AUTHOR

Alfreda Döblina

SCENARIO AND DIRECTION

Natalia Korczakowska

SCENOGRAPHY

Anna Met

LIGHTS

Bartosz Nalazek

COSTUMES

Marek Adamski

DRAMATURGY

Wojtek Zrałek-Kossakowski

CHOREOGRAPHIC CONSULTATION

Tomasz Wygoda

CAMERA OPERATOR

Anu Czerwiński/Miłosz Więckowski

MUSIC

Marcin Lenarczyk, Bartłomiej Tyciński

STAGE MANAGER

Zuzanna Prusińska

PRODUCTION MANAGER

Justyna Pankiewicz

DIRECTOR ASSIST

Radosław Mirski

SCENOGRAPH ASSISTANT

Małgorzata Dzik

COSTUME ASSISTANT

Justyna Białowąs

PRODUCTION ASSISTANT

Agata Odolczyk

Cast

Bartosz Porczyk

Marcin Bosak

Ewa Błaszczyk

Andrzej Szeremeta

Anna Paruszyńska

Halina Rasiakówna

Ewelina Żak

Krzysztof Zarzecki

Marcin Pempuś

Rob Wasiewicz

Stanisław Brudny

Tomasz Nosinski

Sonia Roszczuk

Bożena Adamska

Elżbieta Bobrowicz

Maria Borysewicz

Tomasz Jan Wygoda

Leszek Niedźwiecki

Eugeniusz Ruszczyk

Władysław Stankiewicz

Reviews

Mike Urbaniak

…) Exactly what I came to see: a well-made adaptation of this monumental tome, fast-paced dramatic plot built of brilliant scenes, and the best acting the capital city of Warsaw has to offer today.(…) I can’t remember the last time I left a theatre so amazed.

Agnieszka Górnicka

(…) The performance is built, above all, on strong acting personalities, with each individual giving a show to the best of their ability.

Plays

 
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