Requiem for a Dream

dir. Jakub Skrzywanek

Warsaw, September 4–6, September 4, with English surtitles

AlphaGo_Lee. Theory of Sacrifice

by Natalia Korczakowska

Warsaw, October 23–25 with English surtitles

The Employees

by Łukasz Twarkowski

Warsaw, September 25–26 with English surtitles

Wasp Hunting. A Matter of Death and Life

Korczakowska x Tochman

all shows with english surtitles

News

NEWS

“Requiem for a Dream” as part of Generation After 10 Showcase

For a decade, the Showcase organized by Nowy Teatr has been presenting the latest trends in the Polish theater and dance scenes to representatives and programmers from the world’s leading festivals and theater institutions. On September 4, as part of the accompanying events, Studio will present its latest premiere, “Requiem for a Dream,” in co-production with the National Stary Theatre in Krakow. The tenth edition of the showcase will take place September 3–5, 2026.

NEWS

”I’m Fine” at Auawirleben Theaterfestival Bern

We are pleased to present I’m Fine, directed by Cezary Tomaszewski, at Auawirleben Theaterfestival Bern, one of Switzerland’s long-established international theatre festivals. The performances will take place on 15 and 16 May 2026.

NEWS

AlphaGo_Lee opening the Busan International Performing Arts Festival

AlphaGo_Lee. Theory of Sacrifice, directed by Natalia Korczakowska, will be presented at the Busan International Performing Arts Festival (BIPAF) in Busan, South Korea. The production has been included in the festival’s 2026 programme as the opening performance and will be shown on 9 and 10 May 2026 at Busan Cinema Center Haneulyeon Theatre.

Galeria Studio

Dirty Pages. Karol Radziszewski and DIK Fagazine

Exhibition opening: September 17, 2026
The Exhibition will be on view until November 27, 2026
Galeria Studio, Plac Defilad 1 PKiN, Warsaw

Curator: Michał Grzegorzek

Karol Radziszewski’s exhibition Dirty Pages expands on the theme of queer archives in Central and Eastern Europe. It centres on DIK Fagazine, a publication that has brought together art, queer culture, archival practices, and independent culture for more than two decades. Extending the publication’s own logic, the exhibition approaches it not as a closed object but as a space for the production of knowledge, desire, and resistance.

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