I’m fine

  • Duration

    ~90 MINUTES

  • Intermission

    (no break)

  • stage

    Modelatornia Stage

  • tickets

    15-50 PLN

  • PREMIERE

    5.09.2025

  • ARCHITECTURAL ACCESSIBILITY

    3. piętro, winda + rampa

  • WARNING

    This performance contains difficult and emotional content, including references to suicide and suicidal ideation.

Cezary – a director and partner of Norbert who died in tragic circumstances – returns to the stage in order to reconstruct his solo play. “I’M FINE- a solo-show filled with somewhat jolly songs and a single sad one” – such was the title of the personal, humorous story in which Norbert would so lightly and wittily talk about himself, life and everyday problems.

After Norbert’s death, the title became bitter. The jokes and comedic form concealed unspoken difficulties and suffering.

It also stands for Cezary’s struggle with loss and longing. Humor is mixed with pain, laughter with silence, while the spectacle becomes an expression of mourning, the space for memory and love, as well as celebration of life and creativity.

According to statistics, on an annual basis, more people commit suicide than die in road accidents. 80 percent of them are men. If we consider suicide as the consequence of a fatal disease – just like many other possible types of death because of other fatal diseases – we realize that the tragedy of people who commit suicide is not just a private matter but a social responsibility. We divide causes of death to better and more tragic ones. As a result, some types of deadly hazards are more hidden from the society than other.

As with all other exclusions and marginalizations, the reasons are mainly political.

We must no longer treat aid to people struggling with suicidal ideation as a personal matter but as a social responsibility. In order to achieve this, wen need to better understand the ways in which suicide functions in our culture and what has led to it. Then, we will be able to change the social understanding to treat those exposed to suicidal risk fairly, just like in the case of people suffering from other fatal diseases.

The private viewing of Norbert Bajan’s play titled “I’M FINE- a solo-show filled with somewhat jolly songs and a single sad one” took place on 30 June 2023 at Resort Komedii in Warsaw.

In connection with the premiere of the play, STUDIO cooperates with Halszka Witkowska, PhD. – a suicidology specialist, crisis consultant, vice-president of the Polish Suicidology Association, expert at the Office for Prevention of Suicidal Behaviors of the Psychiatry and Neurology Institute in Warsaw, the initiator and coordinator of the first Polish educational and assistance website for people in suicidal crisis and their relatives – www.zwjr.pl

CREATORS

directed by

Cezary Tomaszewski

screenplay, music, lyrics

Norbert Bajan

screenplay collaboration

Cezary Tomaszewski

dramaturgy

Iga Gańczarczyk

content consultation

Halszka Witkowska

voice-over

Małgorzata Biela

costumes

Norbert Bajan, Cezary Tomaszewski

lighting

Jędrzej Jęcikowski

producer

Julia Tyjewska

stage manager

Krystyna Klyta

Cast

Monika Obara

Cezary Tomaszewski

Reviews

Soma Boronkay / revizoronline.com

Tomaszewski's attitude and stage presence are admirable. He is not sentimental; he does not try to move the audience, even when he talks about how difficult it is for him. Searching for words, he talks incessantly. He does not act – he uses subtle gestures, balancing on the fine line of emotions. Read more...

culture.pl / Wiktoria Tabak

Tomaszewski's confession not only broadens the public discourse by including the perspective of those whose loved ones have committed suicide, which is usually poorly represented, but is also a gesture of opposition to external commentators who thoughtlessly shift the responsibility for suicide onto family, partners or friends, or judge other people's always individual process of mourning. ‘Don't judge us, don't blame us, don't gossip about us, and give us the right to mourn in the way we need to,’ the director asks from the stage. What is perhaps most striking in Tomaszewski's interpretation is the piercing humour skilfully woven into the drama. The comedic form can be – and in this case is – much sharper than tragedy, because it directly demonstrates the fragility, chaos and randomness of reality. The repetitiveness of gags, scenes and gestures, inherent even in the formula of stand-up comedy, often brings out the ridiculousness or senselessness inscribed in actions and attitudes, and does not bring the audience the desired relief or catharsis. Read more...

THEATRE / Witold Mrozek

I believe that on some fundamental, perhaps the most important level, everything is fine for me, it is simply a matter of a person in mourning appearing in public – a mourning that, for at least several reasons, is not really accepted in Polish society. The Polish state, as one of the last in the EU, stubbornly refuses to recognise same-sex relationships as families and does not want to give them the same rights as heterosexual couples. Suicide itself is still taboo – Tomaszewski speaks out publicly against the latter fact in particular. Read more...

Katarzyna Niedurny / czaskultury.pl

Tomaszewski and Gańczarczyk manage to construct a world frozen in mid-step. The audience is drawn into this state of suspension. Something is missing, something remains unsaid, something is blurred in ambiguity. The performance speaks of loss not only directly, through stories and memories, but also formally, through its structure and aesthetics. Read more...

Tomasz Miłkowski / Tygodnik Przegląd

This modest production, using simple means, has a powerful effect on the audience. (...) A wise, thought-provoking piece of factual theatre. Delicate, raising difficult questions without resorting to sentimentalism.

Theatre for Everyone / Malwina Kiepiel

The performance explains in plain language what asking questions, listening and support networks are — and why phrases such as “pull yourself together” are not enough. Read more...

Jacek Mroczek / teatrvaria

This is a performance that sticks in your mind and hurts your sensitivity as if it was cutting you with a knife. It pours burning information into open wounds. You think – it will be therapeutic, painful (...) Nothing could be further from the truth. There is life. (...) There is also art. Factual theatre at its best. Read more...